Panic At The Disco Vices & Virtues Rapidshare

  
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With the 2009 departure of songwriter/guitarist Ryan Ross and bassist Jon Walker, many fans expected Panic! At the Disco to either disband or hire new members. Unpredictably, Brendon Urie and Spencer Smith decided to forge ahead as a duo. Subsequently, 2011’s Vices & Virtues furthers Panic! At the Disco’s fascination with vaudevillian emo and hook-laden power pop, sounding as if the only noticeable change is a stronger focus on songwriting and more economical arrangements.

Vices & Virtues is the third studio album by American rock band Panic! At the Disco, released on March 22, 2011 on Fueled by Ramen. Official site for Panic! At The Disco. Includes news, tour dates, videos, webstore, and more!

It starts with the incredibly catchy “The Ballad of Mona Lisa,” where a dark whimsy contrasts sunny melodies in the chorus. Urie’s voice sounds so seasoned and confident, especially in the orchestra-laden “Ready to Go (Get Me out of My Mind),” which plays with just enough endearing teenage drama and ‘80s pop influences to recall the soundtracks to John Hughes’ films. Of the bonus tracks on the deluxe edition, “Stall Me” is a powerhouse of driving heartfelt guitar pop, and the demo of “Oh Glory” is danceable emo pop at its best. With the 2009 departure of songwriter/guitarist Ryan Ross and bassist Jon Walker, many fans expected Panic! At the Disco to either disband or hire new members. Unpredictably, Brendon Urie and Spencer Smith decided to forge ahead as a duo.

Subsequently, 2011’s Vices & Virtues furthers Panic! At the Disco’s fascination with vaudevillian emo and hook-laden power pop, sounding as if the only noticeable change is a stronger focus on songwriting and more economical arrangements. It starts with the incredibly catchy “The Ballad of Mona Lisa,” where a dark whimsy contrasts sunny melodies in the chorus. Urie’s voice sounds so seasoned and confident, especially in the orchestra-laden “Ready to Go (Get Me out of My Mind),” which plays with just enough endearing teenage drama and ‘80s pop influences to recall the soundtracks to John Hughes’ films. Hera Trials Of The Goddess Obscura Camera there. Of the bonus tracks on the deluxe edition, “Stall Me” is a powerhouse of driving heartfelt guitar pop, and the demo of “Oh Glory” is danceable emo pop at its best. The members of Panic! At the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars.

The band had materialized several years earlier, when friends Spencer Smith (drums) and Ryan Ross (guitar) began covering blink-182 tunes together. After tiring of playing another group's material, they recruited two additional classmates, guitar/vocalist Brendon Urie and bassist Brent Wilson, and the newly formed quartet decided to model its name after a line in Name Taken's 'Panic.' Crafting pop-influenced songs with theatrical touches, quirky techno beats, and perceptive lyrics, Panic!

At the Disco posted several demos online that caught the attention of Decaydance Records, the Fueled by Ramen imprint headed by Fall Out Boy's Pete Wentz. Even though Panic! At the Disco had yet to play a live show, they subsequently became the first band signed to Wentz's label. With their record scheduled for release in September 2005, Panic!

At the Disco joined the successful Nintendo Fusion Tour and hit the road alongside Fall Out Boy, Motion City Soundtrack, Boys Night Out, and the Starting Line. The band continued touring into early 2006, while its single 'I Write Sins Not Tragedies' found its way onto MTV and the Billboard Top 40. Proving to be a popular lineup, the Nintendo tour consistently sold out venues across the country.

Wilson was fired from the group mid-year; undaunted, Panic! Pressed on with their friend Jon Walker on board for a full summer tour that culminated with appearances at the Lollapalooza, Reading, and Leeds festivals. The guys picked up a Video of the Year award at MTV's annual VMA ceremony, beating out heavy-hitters like Madonna and the Red Hot Chili Peppers, and a collector's box set version of Fever (featuring random Panic! Paraphernalia and a DVD) came out just in time for the 2006 holiday season.